Angels at the Arno
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The Florence revealed in Eric Lindbloom's Angels at the Arno is almost startling in its intimacy and quiet solitude. Lindbloom's view of the city - rendered exclusively through the plastic lens of a Diana camera, virtually a child's toy - brings this venerable city to new life and light. With unabashed subjectivity and an offbeat, oneiric sensibility, Lindbloom conveys his sense of an unveiled Florence, filled with views striking for the beauty they contain rather than for the history they suggest.
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Bol Partner
The Florence revealed in Eric Lindbloom's Angels at the Arno is almost startling in its intimacy and quiet solitude. Lindbloom's view of the city - rendered exclusively through the plastic lens of a Diana camera, virtually a child's toy - brings this venerable city to new life and light. With unabashed subjectivity and an offbeat, oneiric sensibility, Lindbloom conveys his sense of an unveiled Florence, filled with views striking for the beauty they contain rather than for the history they suggest.
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The Florence revealed in Eric Lindbloom's Angels at the Arno is almost startling in its intimacy and quiet solitude. Lindbloom's view of the city - rendered exclusively through the plastic lens of a Diana camera, virtually a child's toy - brings this venerable city to new life and light. With unabashed subjectivity and an offbeat, oneiric sensibility, Lindbloom conveys his sense of an unveiled Florence, filled with views striking for the beauty they contain rather than for the history they suggest.
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