Autobiography of a Performance

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Bol Partner Co-authored by Bhanu Kapil FRSL and dramaturg Blue Pieta, this work focusses on five performances through a study of shared time and inter-generational healing. This co-authored work focuses on five performances developed by Blue Pieta, a multidisciplinary artist, director, dramaturg and performer and Bhanu Kapil, a poet, between 2022 and 2025. A public notebook of working scores and performance writing, AUTOBIOGRAPHY OF A PERFORMANCE contains analytic depictions of shared time experienced during performance, notes on dramaturgy and applause, and thinking towards performance as a mode of inter-generational healing (borderwork). This hybrid collection studies performance as a place both unknown and emergent, the rough sketch that's always incomplete, carried over to the next performance, and always in the company of radical others of many kinds. Both writers also change roles during the course of a performance, a mode of autobiography that most closely resembles mutation. A dramaturg is also an artist, a dancer, the poet of the work. A poet stands up from the table where they are seated to enter the domain of gesture and movement. Pieta and Kapil decompress an interoceptive approach to poetry, memory and ritual awareness: scenes that can't be written, but only staged.

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Bol Partner

Co-authored by Bhanu Kapil FRSL and dramaturg Blue Pieta, this work focusses on five performances through a study of shared time and inter-generational healing. This co-authored work focuses on five performances developed by Blue Pieta, a multidisciplinary artist, director, dramaturg and performer and Bhanu Kapil, a poet, between 2022 and 2025. A public notebook of working scores and performance writing, AUTOBIOGRAPHY OF A PERFORMANCE contains analytic depictions of shared time experienced during performance, notes on dramaturgy and applause, and thinking towards performance as a mode of inter-generational healing (borderwork). This hybrid collection studies performance as a place both unknown and emergent, the rough sketch that's always incomplete, carried over to the next performance, and always in the company of radical others of many kinds. Both writers also change roles during the course of a performance, a mode of autobiography that most closely resembles mutation. A dramaturg is also an artist, a dancer, the poet of the work. A poet stands up from the table where they are seated to enter the domain of gesture and movement. Pieta and Kapil decompress an interoceptive approach to poetry, memory and ritual awareness: scenes that can't be written, but only staged.

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Pagina's: 123, Paperback, The 87 Press


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  • 9781068751592
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