The Autobiography Of A Flea
Uitgelicht
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9,60 |
Naar shop
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9,60 |
Naar shop
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10,60 |
Naar shop
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Beschrijving
Bol
The Autobiography of a Flea is a notorious work of late-Victorian clandestine erotica, framed through the improbable confessions of a flea whose minute body permits omniscient access to bedrooms, dressing rooms, and clerical interiors. Its episodic plot uses voyeuristic mobility as a narrative device, combining picaresque invention, anti-clerical satire, and the luxuriant, repetitive rhetoric characteristic of underground pornography. Beneath its provocations lies a revealing document of nineteenth-century anxieties about sexuality, class, religious hypocrisy, and the boundaries of print culture. The author remains anonymous, as was common for illicit works circulated through private presses and booksellers beyond respectable publishing channels. The anonymity reflects both legal risk and social disgrace attached to obscene literature under Victorian censorship. Whoever composed it was clearly familiar with popular sensational fiction, Catholic and Protestant moral debates, and the comic possibilities of mock autobiography, adapting those traditions to a transgressive sexual marketplace. Recommended for readers studying Victorian obscenity, erotic satire, or the history of censorship, this book is less a conventional novel than a cultural artifact. It rewards critical reading as evidence of how forbidden literature exposed the era's repressions, fantasies, and contradictions.
The Autobiography of a Flea is a notorious work of late-Victorian clandestine erotica, framed through the improbable confessions of a flea whose minute body permits omniscient access to bedrooms, dressing rooms, and clerical interiors. Its episodic plot uses voyeuristic mobility as a narrative device, combining picaresque invention, anti-clerical satire, and the luxuriant, repetitive rhetoric characteristic of underground pornography. Beneath its provocations lies a revealing document of nineteenth-century anxieties about sexuality, class, religious hypocrisy, and the boundaries of print culture. The author remains anonymous, as was common for illicit works circulated through private presses and booksellers beyond respectable publishing channels. The anonymity reflects both legal risk and social disgrace attached to obscene literature under Victorian censorship. Whoever composed it was clearly familiar with popular sensational fiction, Catholic and Protestant moral debates, and the comic possibilities of mock autobiography, adapting those traditions to a transgressive sexual marketplace. Recommended for readers studying Victorian obscenity, erotic satire, or the history of censorship, this book is less a conventional novel than a cultural artifact. It rewards critical reading as evidence of how forbidden literature exposed the era's repressions, fantasies, and contradictions.