The Waves
Uitgelicht
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9,60 |
Naar shop
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9,60 |
Naar shop
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10,60 |
Naar shop
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Beschrijving
Bol
Virginia Woolf's The Waves (1931) is among the most radical achievements of modernist fiction: a prose-poem in six interwoven voices, framed by lyrical interludes tracing the sun's passage over sea and shore. Rather than conventional plot, Woolf offers consciousness itself-rhythmic, fragmentary, and profoundly musical-as Bernard, Susan, Rhoda, Neville, Jinny, and Louis move from childhood to age, their identities forming and dissolving against time, memory, desire, and death. Woolf's own artistic development, from Jacob's Room and Mrs Dalloway to To the Lighthouse, led her increasingly away from Edwardian realism toward forms capable of rendering interior life. A central figure of the Bloomsbury Group, deeply engaged with questions of perception, gender, art, and mortality, she wrote The Waves after personal losses and creative experimentation had sharpened her sense of the self as unstable, relational, and haunted by absence. This book is recommended to readers drawn to demanding, beautiful literature that rewards slow attention. It is not a novel to be consumed for incident, but one to be heard, reread, and inhabited. For those interested in modernism, consciousness, poetic prose, or Woolf's finest formal daring, The Waves remains indispensable.
Virginia Woolf's The Waves (1931) is among the most radical achievements of modernist fiction: a prose-poem in six interwoven voices, framed by lyrical interludes tracing the sun's passage over sea and shore. Rather than conventional plot, Woolf offers consciousness itself-rhythmic, fragmentary, and profoundly musical-as Bernard, Susan, Rhoda, Neville, Jinny, and Louis move from childhood to age, their identities forming and dissolving against time, memory, desire, and death. Woolf's own artistic development, from Jacob's Room and Mrs Dalloway to To the Lighthouse, led her increasingly away from Edwardian realism toward forms capable of rendering interior life. A central figure of the Bloomsbury Group, deeply engaged with questions of perception, gender, art, and mortality, she wrote The Waves after personal losses and creative experimentation had sharpened her sense of the self as unstable, relational, and haunted by absence. This book is recommended to readers drawn to demanding, beautiful literature that rewards slow attention. It is not a novel to be consumed for incident, but one to be heard, reread, and inhabited. For those interested in modernism, consciousness, poetic prose, or Woolf's finest formal daring, The Waves remains indispensable.
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