Absence/Presence

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Bol Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event, the capacity of art to represent this event adequately has been questioned. Contributors provide case studies that include a artists from North America, Europe and Israel, and examine some of the dominant themes of their work. Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. Contributors provide case studies that include a broad spectrum of artists from North America, Europe and Israel, and examine some of the dominant themes of their work.

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Beschrijving (1)

Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event, the capacity of art to represent this event adequately has been questioned. Contributors provide case studies that include a artists from North America, Europe and Israel, and examine some of the dominant themes of their work. Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. Contributors provide case studies that include a broad spectrum of artists from North America, Europe and Israel, and examine some of the dominant themes of their work.


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