Africa Multiple6 Highlife Unbound
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Highlife Unbound unfolds the trilocal and transnational history of Highlife, Anglophone West Africa's first modern popular music. It introduces Highlife as a travelling cultural practice and trilocal community by investigating the interrelatedness of Highlife-making in the Gold Coast/Ghana, Nigeria, and England between 1950 and 1967, the time when Highlife became modern popular music culture. It does this through an in-depth focus on travelling musicians, Highlife in three countries, and the circulation and appropriation of recorded music. The African Diaspora contact points of music-makers from the Caribbean and West Africa in England are an important subject of the book as are the music’s forgotten London sites.
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Beschrijving
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Highlife Unbound unfolds the trilocal and transnational history of Highlife, Anglophone West Africa's first modern popular music. It introduces Highlife as a travelling cultural practice and trilocal community by investigating the interrelatedness of Highlife-making in the Gold Coast/Ghana, Nigeria, and England between 1950 and 1967, the time when Highlife became modern popular music culture. It does this through an in-depth focus on travelling musicians, Highlife in three countries, and the circulation and appropriation of recorded music. The African Diaspora contact points of music-makers from the Caribbean and West Africa in England are an important subject of the book as are the music’s forgotten London sites.
Highlife Unbound unfolds the trilocal and transnational history of Highlife, Anglophone West Africa's first modern popular music. It introduces Highlife as a travelling cultural practice and trilocal community by investigating the interrelatedness of Highlife-making in the Gold Coast/Ghana, Nigeria, and England between 1950 and 1967, the time when Highlife became modern popular music culture. It does this through an in-depth focus on travelling musicians, Highlife in three countries, and the circulation and appropriation of recorded music. The African Diaspora contact points of music-makers from the Caribbean and West Africa in England are an important subject of the book as are the music’s forgotten London sites.