Amy Sillman. Oh, Clock!
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In her painting Amy Sillman is expanding the standards of abstraction using material and conceptual interventions in the painting process. In her media- spanning approach to painting she destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, as well as process and completion. The publication "Amy Sillman: Oh, Clock!" highlights her critical exploration of the history of painting and conveys her complex and sophisticate
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In her painting Amy Sillman is expanding the standards of abstraction using material and conceptual interventions in the painting process. In her media- spanning approach to painting she destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, as well as process and completion. The publication "Amy Sillman: Oh, Clock!" highlights her critical exploration of the history of painting and conveys her complex and sophisticate
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In her painting Amy Sillman is expanding the standards of abstraction using material and conceptual interventions in the painting process. In her media- spanning approach to painting she destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, as well as process and completion. The publication "Amy Sillman: Oh, Clock!" highlights her critical exploration of the history of painting and conveys her complex and sophisticate
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