This book explores the cultural and ethical implications of generative AI through the lens of Indigenous visual culture in Latin America. Responding to the rise of tools like DALL-E 2 and Midjourney, this groundbreaking volume documents the AIAI project (2023-), which invited a group of Indigenous artists and writers from Argentina, Bolivia, Brazil, Chile, and Peru to critically engage with image generation technologies. Through collaborative experimentation with a range of both commercial and bespoke tools, contributors reflect on the promises and pitfalls of AI--from its potential for 'dreaming, ' for imagining Indigenous futures, to the frustration of its ability to 'hallucinate, ' to distort, and misrepresent Indigenous cultures.Bringing together artists, writers, and scholars, the book challenges dominant narratives around AI and representation, using a decolonial framework rooted in Indigenous epistemologies. Structured in three parts--context and theory, creative reflections, and generative critique--it foregrounds multivocal and multilingual perspectives, resisting homogenization and reframing participatory research. This is the first book-length study of generative AI's impact on Indigenous visual culture in Latin America, making a timely and vital contribution to global debates on AI, art, and cultural sovereignty.
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