Artistic and Intellectual Practices in Contemporary China: China as an Issue

Part 1: Other Histories of Chinese Art after 1949.- Section 1 Continuity.- Chapter 1: Chinese Art in the 1950s: An Avant-Garde Undercurrent Beneath the Mainstream of Realism Shao Dazhen.- Chapter 2: A Review of Artistic Practices from 1972 to 1982 Liu Ding, Carol Yinghua Lu.- Chapter 3: Painting in China After the Cultural Revolution: Style Developments and Theoretical Debates Hans van Dijk.- Chapter 4: The Market as Imaginary in Post Mao China Jane Debevoise.- Chapter 5: Prophecy at the Turn of the 1990s Carol Yinghua Lu.- Section 2 Frame of Mind.- Chapter 6: Somewhere (and Nowhere) Between Modernity and Tradition: Toward a Discursive Polylogue between Differing Interpretative Perspectives on Contemporary Chinese Art Paul Gladston.- Chapter 7: The Authenticity and the Neutrality of Value: on the Issue of Value in the Writings of Contemporary Art History Zou Yuejin.- Chapter 8: The More Homogeneous, Pure and Clear the History, the More Dangerous It Is Luo Xin.- Part 2: Expanses and Limitation.- Section 1 Universality.- Chapter 9: What is Asia? - On Anthropological Difference Naoki Sakai.- Chapter 10: Creating New Universality Sun Ge.- Chapter 11: Pull Universality Down From the Alter of Being Singular Naoki Sakai, Sun Ge.- Section 2 Particularity.- Chapter 12: On the Founding of The Scholar Journal Wang Hui.- Chapter 13: Some Tendencies in Small-Scale Art Publishing in Asia Lim Kyung-yong.- Chapter 14: Self-Publishing as a Method Lim Kyung-yong, Carol Yinghua Lu.- Section 3 Self-Criticism.- Chapter 15: How We Deal With the Virus Determines What It Is Xiao Yin.- Chapter 16: China, On the Verge of a "Momentous Era" Wang Xiaoming.- Chapter 17: Bringing Back "Self-Criticism" Hong Zicheng.

Pagina's: 328, Paperback, Palgrave Macmillan