Aztec Codices
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Aztec codices are books written by pre-Columbian and colonial-era Aztecs. These codices provide some of the best primary sources for Aztec culture. The pre-Columbian codices differ from European codices in that they are largely pictorial; they were not meant to symbolize spoken or written narratives. The colonial era codices not only contain Aztec pictograms, but also Classical Nahuatl (in the Latin alphabet), Spanish, and occasionally Latin. Although there are very few surviving pre-conquest codices, the tlacuilo (codex painter) tradition endured the transition to colonial culture; scholars now have access to a body of around 500 colonial-era codices. According to the Madrid Codex, the fourth tlatoani Itzcoatl (ruling from 1427 (or 1428) to 1440) ordered the burning of all historical codices because it was "not wise that all the people should know the paintings". Among other purposes, this allowed the Aztec state to develop a state-sanctioned history and mythos that venerated Huitzilopochtli.
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Aztec codices are books written by pre-Columbian and colonial-era Aztecs. These codices provide some of the best primary sources for Aztec culture. The pre-Columbian codices differ from European codices in that they are largely pictorial; they were not meant to symbolize spoken or written narratives. The colonial era codices not only contain Aztec pictograms, but also Classical Nahuatl (in the Latin alphabet), Spanish, and occasionally Latin. Although there are very few surviving pre-conquest codices, the tlacuilo (codex painter) tradition endured the transition to colonial culture; scholars now have access to a body of around 500 colonial-era codices. According to the Madrid Codex, the fourth tlatoani Itzcoatl (ruling from 1427 (or 1428) to 1440) ordered the burning of all historical codices because it was "not wise that all the people should know the paintings". Among other purposes, this allowed the Aztec state to develop a state-sanctioned history and mythos that venerated Huitzilopochtli.
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