Brill's Japanese Studies Library28- Christ in Culture

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Bol Shedding light on a wide range of cross-cultural concerns and encounters, going far beyond narrow theological specialisation, the author argues that any successful process of missiological inculturation demands a serious antholopological consideration of indigenous faith. This ground-breaking study on the Roman Catholic, Japanese novelist Endo Shusaku (1923-1996) uniquely combines western and Japanese religious, theological and philosophical thought. The author interprets Endo’s central works such as Silence (1966), The Samurai (1980), and Deep River (1996), from a theological point of view as documents of inculturation of Christianity in Japan. Analysing the social and religious context of Japan in a global perspective, the author identifies a central role for koshinto - a traditional Japanese ethos - in Endo's thought on inculturation. Endo’s change from a critical to a positive acceptance of the koshinto tradition partly accounts for his move from a pessimistic attitude of Christian inculturation in his early years to the growing theocentric and pneumatic concerns of his later years. Essential for Western readers.

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Shedding light on a wide range of cross-cultural concerns and encounters, going far beyond narrow theological specialisation, the author argues that any successful process of missiological inculturation demands a serious antholopological consideration of indigenous faith. This ground-breaking study on the Roman Catholic, Japanese novelist Endo Shusaku (1923-1996) uniquely combines western and Japanese religious, theological and philosophical thought. The author interprets Endo’s central works such as Silence (1966), The Samurai (1980), and Deep River (1996), from a theological point of view as documents of inculturation of Christianity in Japan. Analysing the social and religious context of Japan in a global perspective, the author identifies a central role for koshinto - a traditional Japanese ethos - in Endo's thought on inculturation. Endo’s change from a critical to a positive acceptance of the koshinto tradition partly accounts for his move from a pessimistic attitude of Christian inculturation in his early years to the growing theocentric and pneumatic concerns of his later years. Essential for Western readers.


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