Candles: a photographic novel

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Bol Candles is a photographic essay by Tim Onderbeke. Fascinated by the sacred, ritual, and cerebral act of lighting a candle, the artist began collecting images of candles and candlesticks in an artistic or art-historical context. In Candles, Onderbeke uses his own work and that of others to research what he calls “the colour of darkness,” or negative space – a concept he borrowed from the Japanese writer and essayist Jun’ichirō Tanizaki. Tanizaki describes this intense experience he had in a large, dark room of a Japanese tea house where the light of a few candles made the surrounding darkness feel tangible, as if it turned into monolithic matter. Onderbeke sees a burning candle as an implosion of architectural space where the centre is usually kept empty. A burning candle in a dark room reverses that experience, and influences our perception of space, time and atmosphere. In addition to Tim Onderbeke’s work, Candles also shows works of Martin Kippenberger, Anne Imhof, Juliaan Lampens, Le Corbusier, Peter Zumthor, Charlemagne Palestine, Hiroshi Sugimoto, Pieter De Bruyne, Damian O’Sullivan, and Robert Filliou. Wolfgang Becker, art historian and former director of the Ludwig Forum Aachen, wrote an accompanying text.

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Bol

Candles is a photographic essay by Tim Onderbeke. Fascinated by the sacred, ritual, and cerebral act of lighting a candle, the artist began collecting images of candles and candlesticks in an artistic or art-historical context. In Candles, Onderbeke uses his own work and that of others to research what he calls “the colour of darkness,” or negative space – a concept he borrowed from the Japanese writer and essayist Jun’ichirō Tanizaki. Tanizaki describes this intense experience he had in a large, dark room of a Japanese tea house where the light of a few candles made the surrounding darkness feel tangible, as if it turned into monolithic matter. Onderbeke sees a burning candle as an implosion of architectural space where the centre is usually kept empty. A burning candle in a dark room reverses that experience, and influences our perception of space, time and atmosphere. In addition to Tim Onderbeke’s work, Candles also shows works of Martin Kippenberger, Anne Imhof, Juliaan Lampens, Le Corbusier, Peter Zumthor, Charlemagne Palestine, Hiroshi Sugimoto, Pieter De Bruyne, Damian O’Sullivan, and Robert Filliou. Wolfgang Becker, art historian and former director of the Ludwig Forum Aachen, wrote an accompanying text.

Stumpel

Candles is a photographic essay by Tim Onderbeke. Fascinated by the sacred, ritual, and cerebral act of lighting a candle, the artist began collecting images of candles and candlesticks in an artistic or art-historical context. In Candles, Onderbeke uses his own work and that of others to research what he calls ?the colour of darkness,? or negative space ? a concept he borrowed from the Japanese writer and essayist Jun?ichir? Tanizaki. Tanizaki describes this intense experience he had in a large, dark room of a Japanese tea house where the light of a few candles made the surrounding darkness feel tangible, as if it turned into monolithic matter. Onderbeke sees a burning candle as an implosion of architectural space where the centre is usually kept empty. A burning candle in a dark room reverses that experience, and influences our perception of space, time and atmosphere.In addition to Tim Onderbeke?s work, Candles also shows works of Martin Kippenberger, Anne Imhof, Juliaan Lampens, Le Corbusier, Peter Zumthor, Charlemagne Palestine, Hiroshi Sugimoto, Pieter De Bruyne, Damian O?Sullivan, and Robert Filliou. Wolfgang Becker, art historian and former director of the Ludwig Forum Aachen, wrote an accompanying text.


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  • 9789463939287
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