Clawhammer

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Bol Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Clawhammer is a highly rhythmic banjo playing style and common component of American old-time music. The principal difference between clawhammer style and other styles is the picking direction. Traditional picking styles, including those for folk, bluegrass, and classical guitar, consist of an up-picking motion by the fingers and a down-picking motion by the thumb; this is also the technique used in the Scruggs style for the banjo. Clawhammer picking, by contrast, is primarily a down-picking style. The hand assumes a claw-like shape and the strumming finger is kept fairly stiff, striking the strings by the motion of the hand at the wrist and/or elbow, rather than a flicking motion by the finger. In its most common form on the banjo, only the thumb and middle or index finger are used and the finger always downpicks, hitting the string with the back of the fingernail or a pick.

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Clawhammer is a highly rhythmic banjo playing style and common component of American old-time music. The principal difference between clawhammer style and other styles is the picking direction. Traditional picking styles, including those for folk, bluegrass, and classical guitar, consist of an up-picking motion by the fingers and a down-picking motion by the thumb; this is also the technique used in the Scruggs style for the banjo. Clawhammer picking, by contrast, is primarily a down-picking style. The hand assumes a claw-like shape and the strumming finger is kept fairly stiff, striking the strings by the motion of the hand at the wrist and/or elbow, rather than a flicking motion by the finger. In its most common form on the banjo, only the thumb and middle or index finger are used and the finger always downpicks, hitting the string with the back of the fingernail or a pick.


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