Creativity and Its Discontents

Bol

Creativity and Its Discontents is a sharp critique of the intellectual property rights (IPR)–based creative economy, particularly as it is embraced or ignored in China. Laikwan Pang argues that the creative economy—in which creativity is an individual asset to be commodified and protected as property—is an intensification of Western modernity and capitalism at odds with key aspects of Chinese culture. Nevertheless, globalization has compelled China to undertake endeavors involving intellectual property rights. Pang examines China’s IPR-compliant industries, as well as its numerous copyright violations. She describes how China promotes intellectual property rights in projects such as the development of cultural tourism in the World Heritage city of Lijiang, the transformation of Hong Kong cinema, and the cultural branding of Beijing. Meanwhile, copyright infringement proliferates, angering international trade organizations. Pang argues that piracy and counterfeiting embody the intimate connection between creativity and copying. She points to the lack of copyright protections for Japanese anime as the motor of China's dynamic anime culture. Theorizing the relationship between knockoffs and appropriation art, Pang offers an incisive interpretation of China’s flourishing art scene. Creativity and Its Discontents is a refreshing rejoinder to uncritical celebrations of the creative economy.

Bol Partner

"I do not expect a good reception from professional philosophers" wrote Whitehead in 1929, immediately after the publication of Process and Reality. Indeed, it took nearly thirty years before scholars seriously started to try to decipher the book taken as a whole. And there remains today "professional" Whiteheadians who claim that this work can-or even should-be bracketed by anyone wishing to get a clear picture of Whiteheads true speculative agenda. Creativity and Its Discontents aims to provide evidence of the conditions for this state of affairs by gathering and contextualizing all the major reviews (translated where need be) of Process and Reality: its original 1929 edition, its various translations (some of them still ongoing) and its 1978 corrected edition. It is designed as the ideal tool to accompany the recently published Handbook of Whiteheadian Process Thought.