Edinburgh's festivals: A Biography

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Bol In August 1947, an émigré Austrian opera impresario launched the Edinburgh International Festival of Music and Drama to heal the scars of the Second World War through a celebration of the arts. At the same time, a socialist theatre group from Glasgow and other amateur companies protested their exclusion from the festival by performing anyway, inventing the concept of ‘fringe’ theatre. Now the annual celebration known collectively as the Edinburgh Festival is the largest arts festival in the world, incorporating events dedicated to theatre, film, art, literature, comedy, dance, jazz and even military pageantry. It has launched careers – from Peter Cook and Dudley Moore in Beyond the Fringe to Phoebe Waller-Bridge with Fleabag – mirrored the political and social mood of its times, shaped the city of Edinburgh around it and welcomed a huge all-star cast, including Orson Welles, Grace Kelly, Yehudi Menuhin and Mark E Smith’s The Fall and many many more. This is its story. Following the publication of The Edinburgh Festival, Doing the Festival, by arts and culture writer David Pollock, is a deep dive into the history of the festivals and how they shaped modern Edinburgh, with a behind-the-scenes look at the events and their impact on the arts. Produced through extensive research, with participation from those involved with shaping the festivals of past and present, Doing the Festival explores the history of the city’s festival season. Featuring the International Festival, the Festival Fringe, the Book and Film Festivals, and more, it looks at the role these have played in the careers of stars and artists, as well as the city’s venues, attractions and evolution. Doing the Festival will appeal to anyone with an interest in Edinburgh’s festival culture. It will also be of interest to anyone who wants to learn more about the modern history of Edinburgh or the world of the arts, given the central role the festivals hold in the culture of both.

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Beschrijving (1)

In August 1947, an émigré Austrian opera impresario launched the Edinburgh International Festival of Music and Drama to heal the scars of the Second World War through a celebration of the arts. At the same time, a socialist theatre group from Glasgow and other amateur companies protested their exclusion from the festival by performing anyway, inventing the concept of ‘fringe’ theatre. Now the annual celebration known collectively as the Edinburgh Festival is the largest arts festival in the world, incorporating events dedicated to theatre, film, art, literature, comedy, dance, jazz and even military pageantry. It has launched careers – from Peter Cook and Dudley Moore in Beyond the Fringe to Phoebe Waller-Bridge with Fleabag – mirrored the political and social mood of its times, shaped the city of Edinburgh around it and welcomed a huge all-star cast, including Orson Welles, Grace Kelly, Yehudi Menuhin and Mark E Smith’s The Fall and many many more. This is its story. Following the publication of The Edinburgh Festival, Doing the Festival, by arts and culture writer David Pollock, is a deep dive into the history of the festivals and how they shaped modern Edinburgh, with a behind-the-scenes look at the events and their impact on the arts. Produced through extensive research, with participation from those involved with shaping the festivals of past and present, Doing the Festival explores the history of the city’s festival season. Featuring the International Festival, the Festival Fringe, the Book and Film Festivals, and more, it looks at the role these have played in the careers of stars and artists, as well as the city’s venues, attractions and evolution. Doing the Festival will appeal to anyone with an interest in Edinburgh’s festival culture. It will also be of interest to anyone who wants to learn more about the modern history of Edinburgh or the world of the arts, given the central role the festivals hold in the culture of both.


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