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In this insightful volume, Gates focuses critcal attention on the most repressed element of African-American criticism - the language of the text. Incorporating the theoretical insights of critics such as Bakhtin, Foucault, Lacan, Derrida, and Bloom, he explores the work of a wide range of African-American writers from Phillis Wheatley to Ishmael Reed and Alice Walker. In this volume, Gates focuses critical attention on the most repressed element of African-American criticism - the language of the text. Incorporating the theoretical insights of critics such as Bakhtin, Foucault, Lacan, Derrida, and Bloom, he explores the work of a wide range of African-American writers from Phillis Wheatley to Ishmael Reed and Alice Walker.
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In this insightful volume, Gates focuses critcal attention on the most repressed element of African-American criticism - the language of the text. Incorporating the theoretical insights of critics such as Bakhtin, Foucault, Lacan, Derrida, and Bloom, he explores the work of a wide range of African-American writers from Phillis Wheatley to Ishmael Reed and Alice Walker. In this volume, Gates focuses critical attention on the most repressed element of African-American criticism - the language of the text. Incorporating the theoretical insights of critics such as Bakhtin, Foucault, Lacan, Derrida, and Bloom, he explores the work of a wide range of African-American writers from Phillis Wheatley to Ishmael Reed and Alice Walker.
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