An ethnographic study of Arabic-language rap music and the trans-national communities central to the genre’s enduring popularity. In Filling the Head: Listening to Rap in Arabic, ordinary motion and emotion are treated as political when spectacular political movements like protests, strikes, or revolutions feel far away, forced, or otherwise impossible. Threading reflections from fans, rappers, DJs, producers, and venue owners, El Zein offers new insights into what it means politically to be moved by music. Filling the Head challenges existing narratives that equate rap with popular political resistance against oppressive regimes. El Zein explores the political promise in artists' refusal to confine their lyrical or musical experimentation to an ethos of resistance.
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