Glava secera i druge pripovetke

Pripovetke Milovana Glisica predstavljaju vaznu prekretnicu u razvoju srpske realisticke knjizevnosti, narocito u oblikovanju seoske pripovetke sa izrazenim socijalnim i politickim obelezjima, a u duhu ideja Svetozara Markovica. U ovoj zbirci sabrane su pripovetke: Roga, Zloslutni broj, Glava secera, Ni oko sta, Raspis, Redak zver, Svirac, Silo za ognjilo, Ucitelj, Posle devedeset godina i Prva brazda kroz koje Glisic verodostojno prikazuje zivot srpskog sela, ne idealizujuci ga, vec ukazujuci kako na njegove vrline, tako i na njegove mane, drustvene nepravde i sukobe sa varoskim zelenasima i birokratijom. Price se odlikuju vedrim humorom, ironijom i satiricnim tonom, jednostavnim stilom i cistim jezikom, dok se u pojedinima preplicu realizam i elementi fantastike i folklora, kao u pripoveci Posle devedeset godina, iz koje potice cuveni vampir Sava Savanovic, i po kojoj je kasnije snimljen film Leptirica. Iako skroman po obimu, Glisicev knjizevni opus od oko trideset pripovedaka i dva pozorisna komada, predstavlja dragocen doprinos srpskoj knjizevnosti, donoseci autenticnu sliku vremena, mentaliteta i drustvenih prilika 19. veka, istovremeno ostajuci, zahvaljujuci univerzalnosti tema i jednostavnosti izraza, blizak i razumljiv i savremenom citaocu.-------A cornerstone of Serbian realism, Milovan Glisic's stories mark a turning point in the rise of the socially engaged village tale. Writing in the spirit of Svetozar Markovic's ideas, Glisic turns his clear, unadorned prose toward the life of the countryside-not to idealize it, but to show it whole: its decency and its pettiness, its humor and its wounds, its quiet dignity and its entanglements with moneylenders, officials, and a changing world. Collected here are some of his most enduring pieces-"Roga," "The Ominous Number," "The Loaf of Sugar," "Over Nothing at All," "The Notice," "A Rare Beast," "The Fiddler," "Flint and Steel," "The Schoolmaster," "After Ninety Years," and "The First Furrow"-each a small, vivid window onto nineteenth-century Serbia.What gives these stories their lasting life is Glisic's tone: buoyant humor edged with irony, a satirist's eye tempered by sympathy. In several tales, realism bends toward the uncanny, drawing on folklore and superstition-most famously in "After Ninety Years," which introduced the legendary vampire Sava Savanovic (later adapted in the cult film Leptirica). Though modest in volume, Glisic's work remains a rich, authentic portrait of a time and a people, and-thanks to its clarity, wit, and universal concerns-strikingly readable today.