Handbook Of Experimental Phenomenology
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* Presents and discusses a new perspective in vision science, and formalises a field of study that will become increasingly significant to researchers in visual science and beyond * The contributors are outstanding scholars in their fields with impeccable academic credentials, including Jan J. While the scientific study of vision is well-advanced and its concepts are widely agreed, there is still no universally accepted theory of qualitative visual appearances. Using such a theory, what we generally call objects in perception would effectively become collections of secondary qualities such as shape, direction, colour, transparency and luminosity, unified by the mind of the perceiver. Visual perception would thus become integrated into cognitive psychology, allowing for a more systematic and more broadly useful view than that offered by highly focused neuropsychological research. Leading researchers around the world have taken up this challenge, and a body of knowledge has emerged as the new and interdisciplinary field of experimental phenomenology. This state-of-the-art handbook presents that knowledge, along with contextual material and new developments centered on the analysis of appearances. This emerging field has relevance and potential applications across a wide range of disciplines, and the stellar contributor list includes cognitive scientists, physicists, experimental psychologists, architectural designers, mathematicians and philosophers. While the scientific study of vision is well-advanced, a universal theory of qualitative visual appearances (texture, shape, colour and so on) is still lacking. This interdisciplinary handbook presents the work of leading researchers around the world who have taken up the challenge of defining and formalizing the field of ‘experimental phenomenology'. Presents and discusses a new perspective in vision science, and formalizes a field of study that will become increasingly significant to researchers in visual science and beyond The contributors are outstanding scholars in their fields with impeccable academic credentials, including Jan J. Koenderink, Irving Biederman, Donald Hoffmann, Steven Zucker and Nikos Logothetis Divided into five parts: Linking Psychophysics and Qualities; Qualities in Space, Time and Motion; Appearances; Measurement and Qualities; Science and Aesthetics of Appearances Each chapter will have the same structure consisting of: topic overview; historical roots; debate; new perspective; methods; results and recent developments
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* Presents and discusses a new perspective in vision science, and formalises a field of study that will become increasingly significant to researchers in visual science and beyond * The contributors are outstanding scholars in their fields with impeccable academic credentials, including Jan J. While the scientific study of vision is well-advanced and its concepts are widely agreed, there is still no universally accepted theory of qualitative visual appearances. Using such a theory, what we generally call objects in perception would effectively become collections of secondary qualities such as shape, direction, colour, transparency and luminosity, unified by the mind of the perceiver. Visual perception would thus become integrated into cognitive psychology, allowing for a more systematic and more broadly useful view than that offered by highly focused neuropsychological research. Leading researchers around the world have taken up this challenge, and a body of knowledge has emerged as the new and interdisciplinary field of experimental phenomenology. This state-of-the-art handbook presents that knowledge, along with contextual material and new developments centered on the analysis of appearances. This emerging field has relevance and potential applications across a wide range of disciplines, and the stellar contributor list includes cognitive scientists, physicists, experimental psychologists, architectural designers, mathematicians and philosophers. While the scientific study of vision is well-advanced, a universal theory of qualitative visual appearances (texture, shape, colour and so on) is still lacking. This interdisciplinary handbook presents the work of leading researchers around the world who have taken up the challenge of defining and formalizing the field of ‘experimental phenomenology'. Presents and discusses a new perspective in vision science, and formalizes a field of study that will become increasingly significant to researchers in visual science and beyond The contributors are outstanding scholars in their fields with impeccable academic credentials, including Jan J. Koenderink, Irving Biederman, Donald Hoffmann, Steven Zucker and Nikos Logothetis Divided into five parts: Linking Psychophysics and Qualities; Qualities in Space, Time and Motion; Appearances; Measurement and Qualities; Science and Aesthetics of Appearances Each chapter will have the same structure consisting of: topic overview; historical roots; debate; new perspective; methods; results and recent developments
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