Henryk G Recki

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Bol Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Henryk Miköaj Górecki was a composer of contemporary classical music. He studied at the State Higher School of Music in Katowice between 1955 and 1960. In 1968, he joined the faculty and rose to provost before resigning in 1979. Górecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw. His Webernian-influenced serialist works of the 1950s and 1960s were characterized by adherence to dissonant modernism and drew influence from Luigi Nono, Karlheinz Stockhausen, Krzysztof Penderecki and Kazimierz Serocki. He continued in this direction throughout the 1960s, but by the mid 1970s had changed to a less complex sacred minimalist sound, exemplified by the transitional Symphony No. 2 and the hugely popular Symphony No. 3. This later style developed through several other distinct phases, from such works as his 1979 Beatus Vir, to the choral 1981 hymn Miserere, the 1993 Kleines Requiem für eine Polka and his requiem Good Night

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Beschrijving (1)

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Henryk Miköaj Górecki was a composer of contemporary classical music. He studied at the State Higher School of Music in Katowice between 1955 and 1960. In 1968, he joined the faculty and rose to provost before resigning in 1979. Górecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw. His Webernian-influenced serialist works of the 1950s and 1960s were characterized by adherence to dissonant modernism and drew influence from Luigi Nono, Karlheinz Stockhausen, Krzysztof Penderecki and Kazimierz Serocki. He continued in this direction throughout the 1960s, but by the mid 1970s had changed to a less complex sacred minimalist sound, exemplified by the transitional Symphony No. 2 and the hugely popular Symphony No. 3. This later style developed through several other distinct phases, from such works as his 1979 Beatus Vir, to the choral 1981 hymn Miserere, the 1993 Kleines Requiem für eine Polka and his requiem Good Night


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