This book examines how contemporary media reshape perception, memory, and self‑experience. Through a dialogue between visual culture and Romanticism, it traces the emergence of a spectator shaped by fragments, replay, and imaginative projection. This book examines how contemporary media transform the ways individuals perceive, remember and inhabit their own experience. It explores how images, screens and digital archives shape new forms of attention, desire and self‑representation, tracing a spectator whose inner life unfolds through fragments, replay and imaginative projection. By following the subtle shifts of perception that structure modern life, the book shows how the ephemeral becomes a mode of knowledge and a way of making sense of the present.
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