The Baltic region arguably saw the birth of horror cinema when Germany produced its cycle of silent horror films. The Baltic region arguably saw the birth of horror cinema when Germany produced its cycle of silent horror films. However, it is a geographical region that remains overlooked in horror scholarship. This collection aims to fill the gap with a series of essays discussing audiovisual media and literature in Estonia, Russia and Denmark, among others; and developing theoretical frameworks including postcolonialism, gender studies, issues of originality, folklore, history and geographical boundaries.
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