Every parent in that auditorium is filming with a phone. You can do it properly-and get paid for it. Every spring, dance studios pack auditoriums with families who want one thing: a clear recording of their child's ninety seconds on stage. Most will settle for shaky phone footage shot over someone's head in the dark. Almost all of them would rather pay you for something better. Dance recital videography is a real business with predictable demand, a defined season, and a customer base that renews itself every single year. But it isn't simply pointing a camera at a stage. It's four businesses at once-logistics, copyright, consumer sales, and craft-and the people who fail at it are the ones who only understood the last part. This book covers all four. Written for the complete beginner and the working videographer alike, it walks you from your very first studio conversation through shooting, editing, delivery, getting paid, and scaling into a business that runs every season without you reinventing it. Inside, you'll learn how to: - Choose between flat-fee, direct-sales, and inclusive pricing-and why the model most beginners overlook is the one that pays best - Win your first studio account and keep it for years - Handle music licensing-the single biggest legal risk in the business-without getting burned - Protect children's privacy and manage release forms and exceptions lists correctly - Set up three cameras, expose for stage lighting, and capture broadcast-quality sound - Chapter every routine so families can find their dancer in seconds - Deliver on time, run pre-sales, and survive recital-season support - Make sure you actually get paid-before a single frame leaves your hands - Grow into competition work, crews, and multiple studios Includes ready-to-use templates and tools: - Studio contract template - Release forms for minors - Show-day production checklist - Pricing guides and packages - Gear recommendations and budgets - Client email templates This is not a book of theory. It's a practical field manual built from the real decisions this work demands-the pricing math, the contract clauses, the camera positions, the awkward conversations, and the hard-won rule that you never hand over footage until the final invoice is paid. There is no second take at a four-year-old's first recital. This book is about being ready for it. Part of the Know It All series from ACR Press.
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