Recounting the genesis and production of the 2nd Art Quadriennale in Mussolini's Rome, with works by Marino Marini, Giorgio de Chirico, Fausto Pirandello and others The counterpoint to the 18th Art Quadriennale is the exhibition I Giovani e i Maestri, a homage to the second iteration of the event, considered the most important exhibition of Italian art of the 1930s.
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