The Rolling Stones' Aftermath was more than another 1960s rock album. It was the moment the band stepped out from behind their blues and R&B influences and began writing their own dark mythology.Released in 1966, Aftermath marked a decisive turning point: the first Rolling Stones album made entirely of Jagger-Richards compositions. With songs such as "Mother's Little Helper," "Lady Jane," "Under My Thumb," "Goin' Home," "Out of Time," "I Am Waiting," and the American edition's "Paint It Black," the album revealed a band becoming bolder, sharper, stranger, and more self-defined.This book explores Aftermath in depth, tracing how the Stones moved beyond covers and borrowed energy into original songwriting, social satire, sonic experimentation, and album-length ambition. It examines the album's themes of domestic anxiety, fashion, romance, power, boredom, status, and respectability, while also confronting its troubling gender politics and often cruel emotional worldview.Across 35 detailed chapters, this study looks at the roles of Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman in shaping the album's sound and identity. It explores Brian Jones' instrumental colours, the rhythm section's hidden authority, the differences between the UK and US versions, the album's place beside The Beatles' mid-1960s evolution, and its importance in the rise of the rock album as a serious artistic statement.Bold, cruel, inventive, transitional, and unmistakably theirs, Aftermath remains one of the most important records of the Stones' early period.This is the story of the album where the Rolling Stones discovered their own darkness - and began to find their future.
AmazonPagina's: 382, Paperback, Independently published
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