JOE PENHALL PLAYS 1

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Bol This is a collection of Joe Penhall's plays, beginning with "Some Voices" and "Pale Horse", which both premiered at the Royal Court Theatre Upstairs in 1994 and 1995 respectively. "Joe Penhall belongs to the new wave of dramatists that has flooded British theatre with exciting work in recent years ...I have a hunch that his might prove the more enduring talent" (Daily Telegraph) Some Voices: 'The most thrilling playwriting debut in years...The writing is razor-sharp, sensitive, quietly eloquent, full of the touchingly drab poetry of lost lives' (Sunday Times); Pale Horse: 'His second Court play is as compelling and extraordinary as his first ...as taut, tight and atmospheric as Macbeth' (Observer); Love and Understanding: 'This is one of the best plays I've seen, ever, at this powerhouse of new writing ...tough, eloquent, bruising' (Sunday Times); The Bullet: 'A Death of a Salesman for Britain in the nineties, and it is typical of Penhall's grace as a writer that it consciously echoes Arthur Miller while also emerging as an entirely distinctive work' (Daily Telegraph)

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Beschrijving (1)

This is a collection of Joe Penhall's plays, beginning with "Some Voices" and "Pale Horse", which both premiered at the Royal Court Theatre Upstairs in 1994 and 1995 respectively. "Joe Penhall belongs to the new wave of dramatists that has flooded British theatre with exciting work in recent years ...I have a hunch that his might prove the more enduring talent" (Daily Telegraph) Some Voices: 'The most thrilling playwriting debut in years...The writing is razor-sharp, sensitive, quietly eloquent, full of the touchingly drab poetry of lost lives' (Sunday Times); Pale Horse: 'His second Court play is as compelling and extraordinary as his first ...as taut, tight and atmospheric as Macbeth' (Observer); Love and Understanding: 'This is one of the best plays I've seen, ever, at this powerhouse of new writing ...tough, eloquent, bruising' (Sunday Times); The Bullet: 'A Death of a Salesman for Britain in the nineties, and it is typical of Penhall's grace as a writer that it consciously echoes Arthur Miller while also emerging as an entirely distinctive work' (Daily Telegraph)


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