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The artist and poet Kurt Schwitters (1887-1947) is one of the most important avant-garde figures to appear after the First World War. He earned his reputation as the maker of MerzUrsonate. His indefatigable activity brought him into contact with Europe's leading modern artists. The apparently inexhaustible facets of Schwitters' work have prompted a new study and reassessment of his oeuvre in recent years. This book forms an important contribution to that research. It discusses Schwitters' place in modernism, is views on the role of the artist, his ties with America and his inimitable combination of word and image. The late works (after 1930) are the focus of the analyses of Rudi Fuchs, Siegfrie
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