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This book investigates the clash between social uniformity and personal anomalies as a key to understanding the functions of laughter in four major Italian authors from the early twentieth century, highlighting some essential differences between traditional realism and modernism. This book investigates the clash between social uniformity and personal anomalies as a key to understanding the functions of laughter in four major Italian authors from the early twentieth century, highlighting some essential differences between traditional realism and modernism.
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