Miss Ludington's Sister: A Romance of Immortality

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Bol Miss Ludington's Sister is a compact metaphysical romance that turns a sentimental premise into a searching inquiry into personal identity. Its heroine, Miss Ludington, venerates the beautiful girl she once was as though that former self were a separate, vanished being. Through spiritualist speculation, Gothic atmosphere, and restrained melodrama, Bellamy asks whether the successive selves of a human life die, survive, or remain morally continuous. Written in the late nineteenth-century climate of psychical research and post-Civil War spiritualism, the novel blends domestic realism with philosophical fantasy. Edward Bellamy, the Massachusetts journalist and reform-minded novelist later famous for Looking Backward, repeatedly used fiction to test social, ethical, and metaphysical ideas. His background in journalism gave him clarity and argumentative force, while his idealist temperament drew him toward questions of immortality, sympathy, and human perfectibility. This early work anticipates his mature concern with how imagination might redeem the limits of ordinary life. Readers interested in speculative fiction before modern science fiction, Victorian spiritualism, or philosophical tales of selfhood will find this novel rewarding. Brief but intellectually resonant, it is both a curious romance and a subtle meditation on memory, desire, aging, and the selves we leave behind.

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Miss Ludington's Sister is a compact metaphysical romance that turns a sentimental premise into a searching inquiry into personal identity. Its heroine, Miss Ludington, venerates the beautiful girl she once was as though that former self were a separate, vanished being. Through spiritualist speculation, Gothic atmosphere, and restrained melodrama, Bellamy asks whether the successive selves of a human life die, survive, or remain morally continuous. Written in the late nineteenth-century climate of psychical research and post-Civil War spiritualism, the novel blends domestic realism with philosophical fantasy. Edward Bellamy, the Massachusetts journalist and reform-minded novelist later famous for Looking Backward, repeatedly used fiction to test social, ethical, and metaphysical ideas. His background in journalism gave him clarity and argumentative force, while his idealist temperament drew him toward questions of immortality, sympathy, and human perfectibility. This early work anticipates his mature concern with how imagination might redeem the limits of ordinary life. Readers interested in speculative fiction before modern science fiction, Victorian spiritualism, or philosophical tales of selfhood will find this novel rewarding. Brief but intellectually resonant, it is both a curious romance and a subtle meditation on memory, desire, aging, and the selves we leave behind.

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Pagina's: 76, Paperback, Sharp Ink


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Merk Sharp Ink
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  • 9788028370572
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