My Ideas on the Race Problem

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Bol In My Ideas on the Race Problem, Marietta Holley addresses one of the most contentious questions of post-Reconstruction America through the moral clarity and comic indirection that characterize her reform writing. Rather than offering a dry political tract, Holley frames social injustice in plain, idiomatic language, using satire, Christian ethics, and domestic common sense to expose the absurdities of racial prejudice. The piece belongs to a broader nineteenth-century tradition of popular reform literature, where humor served as both shield and weapon. Holley, often called the "female Mark Twain," was a widely read American humorist whose Samantha Allen books made rural vernacular comedy a vehicle for serious critique. Born in 1836 in New York State, she wrote amid national debates over abolition's aftermath, women's rights, temperance, and citizenship. Her lifelong commitment to moral reform and her outsider's stance as a woman writer helped shape her impatience with inherited hierarchies and social complacency. This work is recommended to readers interested in American satire, reform rhetoric, and the literary culture of race in the late nineteenth century. It offers a revealing example of how popular humor could confront public wrongs while remaining accessible, pointed, and ethically engaged.

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In My Ideas on the Race Problem, Marietta Holley addresses one of the most contentious questions of post-Reconstruction America through the moral clarity and comic indirection that characterize her reform writing. Rather than offering a dry political tract, Holley frames social injustice in plain, idiomatic language, using satire, Christian ethics, and domestic common sense to expose the absurdities of racial prejudice. The piece belongs to a broader nineteenth-century tradition of popular reform literature, where humor served as both shield and weapon. Holley, often called the "female Mark Twain," was a widely read American humorist whose Samantha Allen books made rural vernacular comedy a vehicle for serious critique. Born in 1836 in New York State, she wrote amid national debates over abolition's aftermath, women's rights, temperance, and citizenship. Her lifelong commitment to moral reform and her outsider's stance as a woman writer helped shape her impatience with inherited hierarchies and social complacency. This work is recommended to readers interested in American satire, reform rhetoric, and the literary culture of race in the late nineteenth century. It offers a revealing example of how popular humor could confront public wrongs while remaining accessible, pointed, and ethically engaged.

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Pagina's: 204, Paperback, Sharp Ink


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  • 9788028330552
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