Mysticism in English Literature

This work seeks to define mysticism, tracing its philosophical roots and examining how it manifests in the works of various poets and prose writers. The book emphasizes the idea that mysticism is not merely a set of beliefs but an experiential attitude that connects the individual with a greater universal truth. The opening of the book lays the groundwork for this exploration by clarifying the term "mysticism" and its often mistaken interpretations. Spurgeon discusses how the concept has evolved from ancient philosophical thought, specifically referencing figures like Plato and Plotinus, to its presence in English literature. She articulates that mysticism represents a conviction of unity underlying all existence, distinguishing between the intellectual understanding and the direct experiential knowledge of this unity. The author begins to outline how leading English writers, including Wordsworth, Blake, and Browning, express mystical thoughts through their works, inviting readers to delve deeper into the interplay between literature and spiritual experience.The Concise Oxford Dictionary (1911), after defining a mystic as "one who believes in spiritual apprehension of truths beyond the understanding," adds, "whence mysticism (n.) (often contempt)." Whatever may be the precise force of the remark in brackets, it is unquestionably true that mysticism is often used in a semi-contemptuous way to denote vaguely any kind of occultism or spiritualism, or any specially curious or fantastic views about God and the universe. The word itself was originally taken over by the Neo-platonists from the Greek mysteries, where the name of ¿¿¿¿¿¿ given to the initiate, probably arose from the fact that he was one who was gaining a knowledge of divine things about which he must keep his mouth shut (¿¿¿ = close lips or eyes). Hence the association of secrecy or "mystery" which still clings round the word.