Natalie Dessay Pictures Of America

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Bol Partner Pictures of America is het eerste album van Natalie Dessay voor Sony Classical.Natalie Dessay about "Pictures of America":"I was delighted to once again work with Claire Gibault, who now leads her own chamber orchestra, the Paris Mozart Orchestra, more than twenty years after she first accompanied my Mozart performance at the start of my career as a classical singer.It all started with a couple of Edward Hopper paintings that inspired the beautiful stories of poet Claude Esteban, which Graciane Finzi in turn illustrated with her delicate and inventive music. Claire asked me to tell the story of these "melologues". For my part, I selected ten other paintings that inspired me to choose a range of songs from what's known as the "Great American Songbook". I asked five incredible musicians to arrange them for the Paris Mozart Orchestra, thereby building a bridge between classical music, jazz, and musicals. I then worked to develop a new voice—a deeper and more intimate sound that would whisper into the listener's ear. It was a voice I had to learn to control, like a small, secretive wild animal.”

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Pictures of America is het eerste album van Natalie Dessay voor Sony Classical.Natalie Dessay about "Pictures of America":"I was delighted to once again work with Claire Gibault, who now leads her own chamber orchestra, the Paris Mozart Orchestra, more than twenty years after she first accompanied my Mozart performance at the start of my career as a classical singer.It all started with a couple of Edward Hopper paintings that inspired the beautiful stories of poet Claude Esteban, which Graciane Finzi in turn illustrated with her delicate and inventive music. Claire asked me to tell the story of these "melologues". For my part, I selected ten other paintings that inspired me to choose a range of songs from what's known as the "Great American Songbook". I asked five incredible musicians to arrange them for the Paris Mozart Orchestra, thereby building a bridge between classical music, jazz, and musicals. I then worked to develop a new voice—a deeper and more intimate sound that would whisper into the listener's ear. It was a voice I had to learn to control, like a small, secretive wild animal.”


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