Norton Critical Editions The Picture of Dorian Gray

“This edition is of the utmost importance to those interested in Wilde and literary modernism. It seems certain to become the standard edition of Dorian Gray.” —Ned Lukacher, University of Illinois at Chicago This Norton Critical Edition includes: The 1890 (Lippincott’s Magazine) version and the 1891 (book) version of the novel. Under the editorial guidance of Wilde scholar Michael Patrick Gillespie, students have the opportunity to comparatively read and analyse both texts of this controversial novel. Editorial matter by Michael Patrick Gillespie. “Backgrounds” and “Reviews and Reactions” sections that allow readers to gauge The Picture of Dorian Gray’s sensational reception and to consider the heated public debate over art and morality that followed—including Oscar Wilde’s vehement replies to individual critics. Seven critical essays—six of them new to the Third Edition—that address the novel’s major themes: aestheticism, decadence and vice. Contributors include Joseph Carroll, Nils Clausson, Emily Eells, Michael Patrick Gillespie, Richard Haslam, Donald L. Lawler and Ellen Scheible. A chronology and a selected bibliography.