Pattern Seeking Animals Spooky Action At a Distance (2 LPs)
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David Alpaugh’s Spooky Action at a Distance—a collection of double-title poems—include irreverent, insightful commentary on subjects both current and timeless. The poetic form is Alpaugh's invention. Masterfully versified with taut control of form and content, on topics ranging from the high precision of science and mathematics to the vagaries and subjectivity of art, this unique collection contains a seemingly endless supply of wit, witticism, wonders, and revelations. PRAISE FOR SPOOKY ACTION AT A DISTANCE: I can’t count how many times I laughed out loud while reading David Alpaugh’s Spooky Action at a Distance. Alpaugh’s wit is so original, so outlandish, so outrageous, that at first it’s hard to believe he’s pulling off one after another of these double-title poems, a form he invented and one that could not be better suited to his brilliant, iconoclastic mind. As impressive as Alpaugh’s poetic skill—his dexterity, musical ear and gift for turning clichés on their heads—is his range of reference. From childhood to history to mythology to politics to literature and back, Alpaugh takes us on a magical mystery tour through a universe of his own making. — Lynne Knight, author of The Persistence of Longing For me, Alpaugh’s wit—in the old high metaphysical sense of that word—is the primary source of his power and virtue. He is an insatiably curious man who somehow manages to get everything into his poems. In Spooky Action at a Distance, Alpaugh is all about serious play and endlessly capable of surprise. Tracking the moves he makes connecting double-title after double-title is its own reward, a pleasure so pure as not to be missed. — William Slaughter, editor of Mudlark David Alpaugh’s Spooky Action at a Distance offers readers a cornucopia of delights, complications, and some truly moving insights—all in an intriguing new form of his own invention. Alpaugh’s double-title form shows how two titles can be separate, like two photons miles apart, yet “entangled” in meaning and intent. Alpaugh is an excellent poetic space travel guide. This collection reminds me of the language used to describe properties of quarks—strangeness and charm. Alpaugh’s poems are structured, but still filled with plenty of actual strangeness and charm. And one need not enter a particle accelerator to discover these surprises. Just get this book! — Kathleen Lynch, author of Lucky Witness ABOUT THE AUTHOR: David Alpaugh holds degrees in English from Rutgers University and the University of California, Berkeley, where he was both a Woodrow Wilson and Ford Foundation Fellow. His poems have appeared in more than a hundred literary journals from Able Muse to Poetry to ZYZZYVA, and his first collection, Counterpoint, won the Nicholas Roerich Poetry Prize from Story Line Press. David Alpaugh’s essays, “The Professionalization of Poetry” (Poets & Writers Magazine), “What’s Really Wrong With Poetry Book Contests” (Rattle), and “The New Math of Poetry” (Chronicle of Higher Education)—have been widely discussed online. His musical play, Yesteryear: 3 Days in Paris with François Villon, was recently published by Scene4. Since he debuted the double-title poem in Mudlark in 2016, more than a hundred have appeared in journals and anthologies. He currently teaches literature for the Osher Lifelong Learning Institute (OLLI) at their UC Berkeley and Cal State East Bay campuses.
Beschrijving
(3)
David Alpaugh’s Spooky Action at a Distance—a collection of double-title poems—include irreverent, insightful commentary on subjects both current and timeless. The poetic form is Alpaugh's invention. Masterfully versified with taut control of form and content, on topics ranging from the high precision of science and mathematics to the vagaries and subjectivity of art, this unique collection contains a seemingly endless supply of wit, witticism, wonders, and revelations. PRAISE FOR SPOOKY ACTION AT A DISTANCE: I can’t count how many times I laughed out loud while reading David Alpaugh’s Spooky Action at a Distance. Alpaugh’s wit is so original, so outlandish, so outrageous, that at first it’s hard to believe he’s pulling off one after another of these double-title poems, a form he invented and one that could not be better suited to his brilliant, iconoclastic mind. As impressive as Alpaugh’s poetic skill—his dexterity, musical ear and gift for turning clichés on their heads—is his range of reference. From childhood to history to mythology to politics to literature and back, Alpaugh takes us on a magical mystery tour through a universe of his own making. — Lynne Knight, author of The Persistence of Longing For me, Alpaugh’s wit—in the old high metaphysical sense of that word—is the primary source of his power and virtue. He is an insatiably curious man who somehow manages to get everything into his poems. In Spooky Action at a Distance, Alpaugh is all about serious play and endlessly capable of surprise. Tracking the moves he makes connecting double-title after double-title is its own reward, a pleasure so pure as not to be missed. — William Slaughter, editor of Mudlark David Alpaugh’s Spooky Action at a Distance offers readers a cornucopia of delights, complications, and some truly moving insights—all in an intriguing new form of his own invention. Alpaugh’s double-title form shows how two titles can be separate, like two photons miles apart, yet “entangled” in meaning and intent. Alpaugh is an excellent poetic space travel guide. This collection reminds me of the language used to describe properties of quarks—strangeness and charm. Alpaugh’s poems are structured, but still filled with plenty of actual strangeness and charm. And one need not enter a particle accelerator to discover these surprises. Just get this book! — Kathleen Lynch, author of Lucky Witness ABOUT THE AUTHOR: David Alpaugh holds degrees in English from Rutgers University and the University of California, Berkeley, where he was both a Woodrow Wilson and Ford Foundation Fellow. His poems have appeared in more than a hundred literary journals from Able Muse to Poetry to ZYZZYVA, and his first collection, Counterpoint, won the Nicholas Roerich Poetry Prize from Story Line Press. David Alpaugh’s essays, “The Professionalization of Poetry” (Poets & Writers Magazine), “What’s Really Wrong With Poetry Book Contests” (Rattle), and “The New Math of Poetry” (Chronicle of Higher Education)—have been widely discussed online. His musical play, Yesteryear: 3 Days in Paris with François Villon, was recently published by Scene4. Since he debuted the double-title poem in Mudlark in 2016, more than a hundred have appeared in journals and anthologies. He currently teaches literature for the Osher Lifelong Learning Institute (OLLI) at their UC Berkeley and Cal State East Bay campuses.
Bol PartnerPattern-Seeking Animals is een baanbrekende progrockband die consequent de grenzen van muzikale exploratie verlegt. De band, bestaande uit John Boegehold, Ted Leonard, Dave Meros en Jimmy Keegan, blijft het publiek boeien met ingewikkelde composities en emotionele verhalen.Op hun 4e album is Pattern-Seeking Animals zelfverzekerder dan ooit en benaderen ze nieuwe soundscapes en onderwerpen, gecombineerd met het DNA van hun vorige werk voor hun meest memorabele en krachtige album tot nu toe. Boegehold legt uit: "Omdat dit onze vierde release is in minder dan vijf jaar, was het mijn bedoeling om een andere versnelling in te schakelen en niet over onderwerpen te gaan die al eerder aan bod zijn gekomen. Naast het gebruik van verschillende geluiden, texturen en muzikale stijlen, hebben we de zang, vooral de achtergrondzang, vanuit een heel andere invalshoek benaderd."De andere benadering is niet alleen merkbaar in de productie en de geluiden, maar ook in de teksten. "Het onderwerp van de teksten omvat een Noorse koning die het leven overdenkt terwijl hij veroverd wordt, een ouder wordende zoeker op het pad naar verlichting, buitenaardse wezens die jagen op mensen die proberen te ontsnappen aan gevangenneming, het leven van een soldaat met conflicten voor en na WO1, een zwangere tiener die een slechte situatie thuis achterlaat, een onwillige held die zegeviert in haar laatste gevecht en de vriendin van een man die hem verlaat vanwege zijn samenzweringstheorieën."Fans zullen iets nieuws ervaren met de eerste single van het album, "Window to the World", high-energy, up-tempo art-rock met een vleugje ska en reggae. "Somewhere North of Nowhere" is een rechttoe rechtaan lang prognummer met een unieke brugsectie. "Underneath the Orphan Moon" is een sombere ballade over een tienermeisje dat een slechte situatie verlaat. Het is suggestief en filmisch en heeft veel weg van een klassiek Elton John nummer, compleet met een echte strijkerssectie.Het album is verkrijgbaar als Ltd. 2CD Digipak en als 2LP Gatefold 180g (incl. 2 live bonustracks van ProgStock 2022).
AmazonPagina's: 204, Paperback, Speaking Volumes, LLC
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