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In this book, Dudley Andrew and Steven Ungar apply an evocative poetics of culture to capture the complex atmospherics of Paris in the 1930s. They highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers (Gide, Malraux and Celine), artists (Renoir and Dali), and other intellectuals (Mounier, de Rougemont and Leiris) to respond to the decade's crises.
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