Proceedings of the British Academy Ancient Plaster

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Bol Ancient Plaster: Casting Light on a Forgotten Sculptural Material offers a fresh exploration of plaster in the sculpture of the ancient Mediterranean and beyond. Ancient Plaster: Casting Light on a Forgotten Sculptural Material offers a fresh exploration of plaster in the sculpture of the ancient Mediterranean and beyond. Challenging the traditional focus on marble and bronze, this volume reveals the crucial role of plaster both in the sculptor's workshop and as a medium for finished sculpture. Combining academic insights with contemporary artists' perspectives, the book also delves into the controversial topic of life-casting in antiquity and provides groundbreaking new interpretations of well-known plaster objects such as those from the Roman city of Baiae, near Naples. With chapters extending the chronological and geographical scope to early modern Europe and contemporary art school contexts, the book illuminates plaster's versatility and the continuity of its use across millennia. By rehabilitating this material, often overlooked or lost to the archaeological record, the volume offers a transformative view of ancient sculpture, appealing to both scholars and art enthusiasts alike.

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Ancient Plaster: Casting Light on a Forgotten Sculptural Material offers a fresh exploration of plaster in the sculpture of the ancient Mediterranean and beyond. Ancient Plaster: Casting Light on a Forgotten Sculptural Material offers a fresh exploration of plaster in the sculpture of the ancient Mediterranean and beyond. Challenging the traditional focus on marble and bronze, this volume reveals the crucial role of plaster both in the sculptor's workshop and as a medium for finished sculpture. Combining academic insights with contemporary artists' perspectives, the book also delves into the controversial topic of life-casting in antiquity and provides groundbreaking new interpretations of well-known plaster objects such as those from the Roman city of Baiae, near Naples. With chapters extending the chronological and geographical scope to early modern Europe and contemporary art school contexts, the book illuminates plaster's versatility and the continuity of its use across millennia. By rehabilitating this material, often overlooked or lost to the archaeological record, the volume offers a transformative view of ancient sculpture, appealing to both scholars and art enthusiasts alike.


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