Prose Edda Gylfaginning (The Fooling Of Gylfe)

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Bol Gylfaginning, the opening mythological section of Snorri Sturluson's Prose Edda, is a brilliantly staged compendium of Norse cosmology, theology, and heroic memory. Framed as the encounter between King Gylfi, disguised as Gangleri, and the mysterious figures High, Just-as-High, and Third, it recounts the creation of the world, the gods' deeds, Ragnarök, and the renewal beyond destruction. Its lucid prose, dialogic structure, and learned ordering place pagan myth within the intellectual habits of medieval Christian Iceland while preserving the imaginative force of older skaldic tradition. Snorri Sturluson was an Icelandic chieftain, poet, historian, and lawspeaker, deeply immersed in both native poetic craft and European learned culture. Living in the turbulent thirteenth century, he wrote partly to explain the mythic references essential to skaldic poetry, whose kennings and allusions were becoming obscure in a Christian society increasingly distant from its pagan past. This work is indispensable for readers of mythology, medieval literature, and the history of ideas. It offers not merely stories of Odin, Thor, Loki, and the giants, but a sophisticated literary act of cultural preservation, interpretation, and transformation.

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Gylfaginning, the opening mythological section of Snorri Sturluson's Prose Edda, is a brilliantly staged compendium of Norse cosmology, theology, and heroic memory. Framed as the encounter between King Gylfi, disguised as Gangleri, and the mysterious figures High, Just-as-High, and Third, it recounts the creation of the world, the gods' deeds, Ragnarök, and the renewal beyond destruction. Its lucid prose, dialogic structure, and learned ordering place pagan myth within the intellectual habits of medieval Christian Iceland while preserving the imaginative force of older skaldic tradition. Snorri Sturluson was an Icelandic chieftain, poet, historian, and lawspeaker, deeply immersed in both native poetic craft and European learned culture. Living in the turbulent thirteenth century, he wrote partly to explain the mythic references essential to skaldic poetry, whose kennings and allusions were becoming obscure in a Christian society increasingly distant from its pagan past. This work is indispensable for readers of mythology, medieval literature, and the history of ideas. It offers not merely stories of Odin, Thor, Loki, and the giants, but a sophisticated literary act of cultural preservation, interpretation, and transformation.


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  • 9788027380022
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