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This book is a collection of the author's critical essays on traditional Chinese opera. The section "General Discussions" includes essays such as "The 'Double Hundred' Policy: A Fundamental Guideline," "Reflections on Artistic Work During Thirty Years of Reform and Opening-Up," "Building Another Great Wall of Culture and Art: A Retrospective of 20th-Century Artistic Phenomena," "The Nationalization of Foreign Arts and the Modernization of Traditional Arts," and others. In the section "On Preservation," the author argues that opera is a dynamic art form and should be preserved through dynamic means, discussing the protection of Kunqu, Peking Opera, and emerging regional operatic genres. The section "On Creation" - based on the author's study of Zhang Geng and Guo Hancheng's theories on the modernization of traditional opera - discusses the adaptation of traditional plays and the creation of both historical and contemporary operas. The sections on "Playwriting," "Directing," and "Acting" consist of essays that, following the author's study of Zhang Geng's relevant writings, offer concrete analyses of over a dozen accomplished and distinctive playwrights, directors, and performing artists.¿¿¿¿¿¿¿¿¿¿¿¿"¿¿"¿¿¿"¿¿"¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿--20¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿"¿¿¿"¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿"¿¿¿"¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿"¿¿¿""¿¿¿""¿¿¿"¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿

Pagina's: 474, Editie: Unabridged, Paperback, ¿¿¿¿¿¿¿¿