Renaissance Skin

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Bol This book is the definitive study of how skin was debated, understood and misunderstood in Europe between 1500 and 1700. It is based on deep historical research and includes hundreds of colour images from the period. People in the Renaissance saw skin differently from how we do today. The Europe of 1500 to 1700 was a world of humours, and skin – the clothing of the body – was thought to be dangerously porous.In this landmark book, Evelyn Welch explores Renaissance skin as a bodily surface, as physical matter and as a generator of new knowledge. Ranging across anatomy, surgery and sausage making, she reveals how skin was managed by physicians as well as by glovemakers, butchers and parchment makers. How did people protect their health in a changing global environment, one where the air itself could be pathogenic? How did they see their bodies in a world where there was suddenly a multiplicity of skin colours and decorations? Addressing these questions and more, Welch show us what happens when you see skin differently, either in the marketplace, where men and women from far-away lands were put on display, or under the microscope. In doing so, she reveals that the past had a distinctive and very different way of understanding bodily experiences. A magnificently illustrated study of skin in Renaissance Europe.People in the Renaissance saw skin differently from how we do today. The Europe of 1500 to 1700 was a world of humours, and skin – the clothing of the body – was thought to be dangerously porous.In this landmark book, Evelyn Welch explores Renaissance skin as a bodily surface, as physical matter and as a generator of new knowledge. Ranging across anatomy, surgery and sausage making, she reveals how skin was managed by physicians as well as by glovemakers, butchers and parchment makers. How did people protect their health in a changing global environment, one where the air itself could be pathogenic? How did they see their bodies in a world where there was suddenly a multiplicity of skin colours and decorations? Addressing these questions and more, Welch show us what happens when you see skin differently, either in the marketplace, where men and women from far-away lands were put on display, or under the microscope. In doing so, she reveals that the past had a distinctive and very different way of understanding bodily experiences.

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This book is the definitive study of how skin was debated, understood and misunderstood in Europe between 1500 and 1700. It is based on deep historical research and includes hundreds of colour images from the period. People in the Renaissance saw skin differently from how we do today. The Europe of 1500 to 1700 was a world of humours, and skin – the clothing of the body – was thought to be dangerously porous.In this landmark book, Evelyn Welch explores Renaissance skin as a bodily surface, as physical matter and as a generator of new knowledge. Ranging across anatomy, surgery and sausage making, she reveals how skin was managed by physicians as well as by glovemakers, butchers and parchment makers. How did people protect their health in a changing global environment, one where the air itself could be pathogenic? How did they see their bodies in a world where there was suddenly a multiplicity of skin colours and decorations? Addressing these questions and more, Welch show us what happens when you see skin differently, either in the marketplace, where men and women from far-away lands were put on display, or under the microscope. In doing so, she reveals that the past had a distinctive and very different way of understanding bodily experiences. A magnificently illustrated study of skin in Renaissance Europe.People in the Renaissance saw skin differently from how we do today. The Europe of 1500 to 1700 was a world of humours, and skin – the clothing of the body – was thought to be dangerously porous.In this landmark book, Evelyn Welch explores Renaissance skin as a bodily surface, as physical matter and as a generator of new knowledge. Ranging across anatomy, surgery and sausage making, she reveals how skin was managed by physicians as well as by glovemakers, butchers and parchment makers. How did people protect their health in a changing global environment, one where the air itself could be pathogenic? How did they see their bodies in a world where there was suddenly a multiplicity of skin colours and decorations? Addressing these questions and more, Welch show us what happens when you see skin differently, either in the marketplace, where men and women from far-away lands were put on display, or under the microscope. In doing so, she reveals that the past had a distinctive and very different way of understanding bodily experiences.

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Pagina's: 400, Paperback, Manchester University Press


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Merk Manchester University Press
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  • 9781526167750
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