Routledge Library Editions: Women and Writing Ambitious Heights

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Bol At the heart of this book, first published in 1990, is a friendship between two women: Jane Carlyle and the novelist Geraldine Jewsbury. It was a difficult friendship, and in its difficulty lies much that is illuminating: about 19th-century domestic ideology; writing for a market, and female fame; and the complex ambivalences between women. How did the Victorian woman cope with the image of herself as a writer? What were the constraints on female friendships in a world centred on the pre-eminence of the husband? How significant for an ambitious woman were her politics about men? At the heart of this book, originally published in 1990, is a friendship between two women: Jane Carlyle and the novelist Geraldine Jewsbury. But it was a difficult friendship, and in its difficulty lies much that is illuminating: about nineteenth-century domestic ideology; about writing for a market, and female fame; and about the complex ambivalences between women. Examining aspects of their lives, writing, and relationships, alongside those of two other writers – Felicia Hemans and Geraldine’s sister, Maria Jane – Norma Clarke provides a subtle and illuminating discussion of the possibilities that were open to women in the Victorian age.

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At the heart of this book, first published in 1990, is a friendship between two women: Jane Carlyle and the novelist Geraldine Jewsbury. It was a difficult friendship, and in its difficulty lies much that is illuminating: about 19th-century domestic ideology; writing for a market, and female fame; and the complex ambivalences between women. How did the Victorian woman cope with the image of herself as a writer? What were the constraints on female friendships in a world centred on the pre-eminence of the husband? How significant for an ambitious woman were her politics about men? At the heart of this book, originally published in 1990, is a friendship between two women: Jane Carlyle and the novelist Geraldine Jewsbury. But it was a difficult friendship, and in its difficulty lies much that is illuminating: about nineteenth-century domestic ideology; about writing for a market, and female fame; and about the complex ambivalences between women. Examining aspects of their lives, writing, and relationships, alongside those of two other writers – Felicia Hemans and Geraldine’s sister, Maria Jane – Norma Clarke provides a subtle and illuminating discussion of the possibilities that were open to women in the Victorian age.


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