Shakespeare Retold The Gap of Time
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Shakespeare’s The Winter’s Tale is revolutionised by the iconic Jeanette Winterson in her page-turning, heart-breaking story of a baby girl banished from home.A baby girl is abandoned, banished from London to the storm-ravaged American city of New Bohemia. Her father has been driven mad by jealousy, her mother to exile by grief. Seventeen years later, Perdita doesn't know a lot about who she is or where she's come from – but she's about to find out.Jeanette Winterson’s cover version of The Winter’s Tale vibrates with echoes of Shakespeare's original and tells a story of hearts broken and hearts healed, a story of revenge and forgiveness, a story that shows that whatever is lost shall be found.‘A shining delight of a novel’New York Times 'Clever and beautiful...it soars'Financial TimesSHAKESPEARE RETOLD: Time travel. Zombies. Power-hungry media moguls. This is Shakespeare as you’ve never seen him before: nine iconic plays transformed by the best novelists of our time, with covers by Michael Craig-Martin.
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Shakespeare’s The Winter’s Tale is revolutionised by the iconic Jeanette Winterson in her page-turning, heart-breaking story of a baby girl banished from home.A baby girl is abandoned, banished from London to the storm-ravaged American city of New Bohemia. Her father has been driven mad by jealousy, her mother to exile by grief. Seventeen years later, Perdita doesn't know a lot about who she is or where she's come from – but she's about to find out.Jeanette Winterson’s cover version of The Winter’s Tale vibrates with echoes of Shakespeare's original and tells a story of hearts broken and hearts healed, a story of revenge and forgiveness, a story that shows that whatever is lost shall be found.‘A shining delight of a novel’New York Times 'Clever and beautiful...it soars'Financial TimesSHAKESPEARE RETOLD: Time travel. Zombies. Power-hungry media moguls. This is Shakespeare as you’ve never seen him before: nine iconic plays transformed by the best novelists of our time, with covers by Michael Craig-Martin.
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