Silverbourne: First Shot: A Gay British Rowing Literary Romance (Third Revised Edition)

For readers of literary queer fiction who like their rowing accurate, their houses old, and their corgis obstinate. New readers welcome; returning readers rewarded. Freddy is a former club captain, quietly ousted from his old boat club, rebuilding at Mortlake Amateur ahead of Henley next summer. Andy is a Swiss-origin photographer in Fulham, recently left by his girlfriend, with a superglued drawer in his flat he hasn't opened in two years. They meet in a Richmond café one morning in early October 2024, and by the end of the month there is a rescued pub corgi asleep on the sofa between them.Between them sits everything both men have been carrying: Freddy's decade of being read a beat too closely by teammates who never quite said so, Andy's slow recognition of a self his old life could not hold, and the small honourable question of whether it is possible to arrive at love late, gently, and without pretending the past was tidier than it was.First Shot is the fifth book in the Silverbourne series of gay British literary rowing romances, and the book in which the world of the series finally shows its full shape. Around Freddy and Andy: Finn and Aly (of Book 3 and 4) as the older mirror couple, Jack the transplanted Princeton engineer at Mortlake, an Elizabethan manor in the Chilterns with a hot tub and a Bordeaux-drunk matriarch on the telephone, and the whole slow, careful geography of chosen family taking shape across Putney, Richmond, Mortlake, and the finish line at Dorney Rowing Lake.Every word of the manuscript is human-authored own-voices prose, drafted in a single continuous keystroke history archived at Figshare and verifiable by any independent auditor. Interior illustrations are drawn by hand. No generative AI was used in composition or artwork.Some books are about falling in love. This one is about learning to be still enough to let it happen.-A commitment to Human Authorship: the illustrations are hand-drawn in coloured pencil and Japanese sumi ink, and the writing is entirely human, with no generative tools involved at any stage. All of my recent titles are published with documented provenance, keystroke records among it, giving each book a verifiable authorship history at a moment when that has become worth stating plainly.