Symbiopsychotaxiplasm: Two Takes The Criterion Collection [Region Free] [Blu ray]

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Bol Partner Import zonder Nederlandstalige ondertiteling. The brilliant, experimental, docufictional landmark films about film from pioneer William Greaves Now on Blu-ray In his one-of-a-kind fiction/documentary hybrid Symbiopsychotaxiplasm Take One, the pioneering William Greaves presides over a beleaguered film crew in New York’s Central Park, leaving them to try to figure out what kind of movie they’re making. A couple enacts a breakup scenario over and over, a documentary crew films a crew filming the crew, locals wander casually into the frame: the project defies easy description. Yet this wildly innovative sixties counterculture landmark remains one of the most tightly focused and insightful movies ever made about making movies, expanded thirty-five years later by its unconventional follow-up, Symbiopsychotaxiplasm Take 2½. The “sequel” sees Take One actors Audrey Henningham and Shannon Baker reunited in a more personal, metatheatrical exploration of the effects of the passage of time on technology, the artistic process, and relationships—real and fabricated.

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Import zonder Nederlandstalige ondertiteling. The brilliant, experimental, docufictional landmark films about film from pioneer William Greaves Now on Blu-ray In his one-of-a-kind fiction/documentary hybrid Symbiopsychotaxiplasm Take One, the pioneering William Greaves presides over a beleaguered film crew in New York’s Central Park, leaving them to try to figure out what kind of movie they’re making. A couple enacts a breakup scenario over and over, a documentary crew films a crew filming the crew, locals wander casually into the frame: the project defies easy description. Yet this wildly innovative sixties counterculture landmark remains one of the most tightly focused and insightful movies ever made about making movies, expanded thirty-five years later by its unconventional follow-up, Symbiopsychotaxiplasm Take 2½. The “sequel” sees Take One actors Audrey Henningham and Shannon Baker reunited in a more personal, metatheatrical exploration of the effects of the passage of time on technology, the artistic process, and relationships—real and fabricated.


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