Text and Image: Making Meaning in Manga Comics

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Bol How manga and comics reshape storytelling across cultures Text and Image is a groundbreaking exploration of how Japanese manga and comics from the United States and United Kingdom craft meaning through the combination of words and pictures. Current scholarship often isolates manga in niche genre studies or prioritizes anime instead; in response, Deborah Shamoon proposes a unified framework for understanding paneled visual storytelling across cultures. She reframes comics not as kids' stuff but as a sophisticated narrative art with its own grammar, rhythm, and visual poetics. Drawing on narratology, art history, film studies, and media theory, Text and Image examines a vast array of material, from four-panel comic strips to different manga genres, including shōjo (girls' romance comics), shōnen (teen action), seinen (adult drama), and gekiga (mature realism). Through close visual analysis, Shamoon demonstrates how creators use panel layout, pacing, and the choreography of text and image to shape emotional impact and narrative momentum. She reveals the shared techniques that link works as disparate as Fun Home and Spider-Man while also showing where cultural conventions diverge. Beyond the traditional print realm, Shamoon discusses digital platforms, such as webtoons and vertically scrolling comics, to show how new technologies merge manga's cinematic sensibility with global innovation. Making a bold case for a more expansive, inclusive theory of visual narrative that bridges long-standing divides between manga studies and Anglophone comics scholarship, Text and Image is an indispensable guide to understanding how contemporary stories work and why they resonate across borders. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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How manga and comics reshape storytelling across cultures Text and Image is a groundbreaking exploration of how Japanese manga and comics from the United States and United Kingdom craft meaning through the combination of words and pictures. Current scholarship often isolates manga in niche genre studies or prioritizes anime instead; in response, Deborah Shamoon proposes a unified framework for understanding paneled visual storytelling across cultures. She reframes comics not as kids' stuff but as a sophisticated narrative art with its own grammar, rhythm, and visual poetics. Drawing on narratology, art history, film studies, and media theory, Text and Image examines a vast array of material, from four-panel comic strips to different manga genres, including shōjo (girls' romance comics), shōnen (teen action), seinen (adult drama), and gekiga (mature realism). Through close visual analysis, Shamoon demonstrates how creators use panel layout, pacing, and the choreography of text and image to shape emotional impact and narrative momentum. She reveals the shared techniques that link works as disparate as Fun Home and Spider-Man while also showing where cultural conventions diverge. Beyond the traditional print realm, Shamoon discusses digital platforms, such as webtoons and vertically scrolling comics, to show how new technologies merge manga's cinematic sensibility with global innovation. Making a bold case for a more expansive, inclusive theory of visual narrative that bridges long-standing divides between manga studies and Anglophone comics scholarship, Text and Image is an indispensable guide to understanding how contemporary stories work and why they resonate across borders. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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Pagina's: 256, Hardcover, University of Minnesota Press


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Merk University of Minnesota Press
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  • 9781517919573
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