The Concert Composer's Business Handbook
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This book is written for composers of original music—mostly or completely within the world of concert or classical music—as a one-stop resource of relevant information on earning income from music that they write. Drawing on a breadth of experience, Stephen L. Rosenhaus addresses a variety of music business and industry topics. The Concert Composer's Business Handbook is written for composers of original music—mostly or completely within the world of concert or classical music—as a one-stop resource of information on earning income from music that they write. Drawing on a breadth of experience in the professional field, Stephen L. Rosenhaus addresses a variety of important topics, including:CopyrightTypes of income streamsPerforming rights organizationsPromoting and presenting musicMusic publishingContracts for composersBasics of finances
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This book is written for composers of original music—mostly or completely within the world of concert or classical music—as a one-stop resource of relevant information on earning income from music that they write. Drawing on a breadth of experience, Stephen L. Rosenhaus addresses a variety of music business and industry topics. The Concert Composer's Business Handbook is written for composers of original music—mostly or completely within the world of concert or classical music—as a one-stop resource of information on earning income from music that they write. Drawing on a breadth of experience in the professional field, Stephen L. Rosenhaus addresses a variety of important topics, including:CopyrightTypes of income streamsPerforming rights organizationsPromoting and presenting musicMusic publishingContracts for composersBasics of finances
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