The Greatest Dramatic Works of Samuel Taylor Coleridge
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The Greatest Dramatic Works of Samuel Taylor Coleridge gathers the poet's principal ventures for the stage, revealing a dramatist whose imagination moved between Gothic intensity, political allegory, and metaphysical inquiry. In works such as Remorse and Zapolya, Coleridge adapts the conventions of melodrama, romance, and Shakespearean tragedy to Romantic concerns: conscience, tyranny, guilt, spiritual regeneration, and the unstable borders between inward vision and public action. The language is richly lyrical, often more meditative than theatrical, placing these plays within the wider Romantic rethinking of drama after the eighteenth-century stage. Samuel Taylor Coleridge (1772-1834), best known as the author of The Rime of the Ancient Mariner and a founding figure of English Romanticism, brought to drama the same philosophical restlessness that shaped his poetry and criticism. His friendships with Wordsworth and Southey, his engagement with German idealism, and his troubled reflections on religion, politics, and moral will all inform these plays. They disclose a writer seeking to reconcile imaginative freedom with ethical responsibility. This collection is recommended for readers interested in Romantic literature beyond lyric poetry. It offers scholars and general readers alike a valuable view of Coleridge's dramatic ambitions and the theatrical dimension of his visionary art.
The Greatest Dramatic Works of Samuel Taylor Coleridge gathers the poet's principal ventures for the stage, revealing a dramatist whose imagination moved between Gothic intensity, political allegory, and metaphysical inquiry. In works such as Remorse and Zapolya, Coleridge adapts the conventions of melodrama, romance, and Shakespearean tragedy to Romantic concerns: conscience, tyranny, guilt, spiritual regeneration, and the unstable borders between inward vision and public action. The language is richly lyrical, often more meditative than theatrical, placing these plays within the wider Romantic rethinking of drama after the eighteenth-century stage. Samuel Taylor Coleridge (1772-1834), best known as the author of The Rime of the Ancient Mariner and a founding figure of English Romanticism, brought to drama the same philosophical restlessness that shaped his poetry and criticism. His friendships with Wordsworth and Southey, his engagement with German idealism, and his troubled reflections on religion, politics, and moral will all inform these plays. They disclose a writer seeking to reconcile imaginative freedom with ethical responsibility. This collection is recommended for readers interested in Romantic literature beyond lyric poetry. It offers scholars and general readers alike a valuable view of Coleridge's dramatic ambitions and the theatrical dimension of his visionary art.
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