the House of Dead
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In January, 1850, Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. In this fictionalized account, he recounts his soul-destroying incarceration - the daily battle for survival, the wooden plank beds, the cabbage soup swimming with cockroaches, his strange 'family' of boastful, ugly, cruel convicts. A searing account of the time Dostoyevsky spent in a Siberian prison camp for his part in a political conspiracy‘Here was the house of the living dead, a life like none other upon earth’In January 1850 Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his life. In this fictionalized account he describes his soul-destroying incarceration through the cool, detached tones of his narrator, Aleksandr Petrovich Goryanchikov: the daily battle for survival, the wooden plank beds, his strange ‘family’ of boastful, cruel convicts. Yet this is far more than a work of documentary realism; it is also a powerful novel of redemption, exploring one man’s spiritual death and the miracle of his reawakening.Edited with an Introduction and Notes by David McDuff
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In January, 1850, Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. In this fictionalized account, he recounts his soul-destroying incarceration - the daily battle for survival, the wooden plank beds, the cabbage soup swimming with cockroaches, his strange 'family' of boastful, ugly, cruel convicts. A searing account of the time Dostoyevsky spent in a Siberian prison camp for his part in a political conspiracy‘Here was the house of the living dead, a life like none other upon earth’In January 1850 Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his life. In this fictionalized account he describes his soul-destroying incarceration through the cool, detached tones of his narrator, Aleksandr Petrovich Goryanchikov: the daily battle for survival, the wooden plank beds, his strange ‘family’ of boastful, cruel convicts. Yet this is far more than a work of documentary realism; it is also a powerful novel of redemption, exploring one man’s spiritual death and the miracle of his reawakening.Edited with an Introduction and Notes by David McDuff
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