The Land of Gold.
Uitgelicht
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11,20 |
Naar shop
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11,20 |
Naar shop
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11,20 |
Naar shop
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Beschrijving
Bol
The Land of Gold recounts Julius M. Price's journey through the Western Australian goldfields in the mid-1890s, when Coolgardie, Kalgoorlie, and their surrounding camps were transforming imperial imagination into extractive reality. Combining travel narrative, reportage, and illustrated observation, the book records landscapes of heat, scarcity, speculation, and improvisation with a journalist's immediacy and an artist's eye for telling detail. It belongs to the late-Victorian literature of exploration and empire, yet its value lies equally in its close attention to miners, transport, settlement, and the fragile social order of a boom frontier. Price was a British artist, war correspondent, and special correspondent whose career trained him to convert difficult journeys into vivid public testimony. His experience in visual documentation and imperial journalism shaped the book's brisk descriptive method: he writes as both eyewitness and interpreter, alert to spectacle but also to logistics, hardship, and human character. Such qualities made him well suited to explain a remote colonial phenomenon to metropolitan readers. This book is recommended to readers interested in Australian history, gold-rush societies, colonial travel writing, and Victorian journalism. It offers not merely adventure, but a perceptive record of how wealth, environment, and empire converged in one of the nineteenth century's most dramatic mining frontiers.
The Land of Gold recounts Julius M. Price's journey through the Western Australian goldfields in the mid-1890s, when Coolgardie, Kalgoorlie, and their surrounding camps were transforming imperial imagination into extractive reality. Combining travel narrative, reportage, and illustrated observation, the book records landscapes of heat, scarcity, speculation, and improvisation with a journalist's immediacy and an artist's eye for telling detail. It belongs to the late-Victorian literature of exploration and empire, yet its value lies equally in its close attention to miners, transport, settlement, and the fragile social order of a boom frontier. Price was a British artist, war correspondent, and special correspondent whose career trained him to convert difficult journeys into vivid public testimony. His experience in visual documentation and imperial journalism shaped the book's brisk descriptive method: he writes as both eyewitness and interpreter, alert to spectacle but also to logistics, hardship, and human character. Such qualities made him well suited to explain a remote colonial phenomenon to metropolitan readers. This book is recommended to readers interested in Australian history, gold-rush societies, colonial travel writing, and Victorian journalism. It offers not merely adventure, but a perceptive record of how wealth, environment, and empire converged in one of the nineteenth century's most dramatic mining frontiers.
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