The Last Good Man
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Shirley Jackson’s ‘The Lottery’ meets Cormac McCarthy’s The Road: a taut, mud-spattered debut about violence, shame and redemption. A troubling, uncanny book about fear and atonement, responsibility and justice, and the violence of writing in public spaces, The Last Good Man dares to ask, who speaks, and who do they speak for?
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Bol Partner
Shirley Jackson’s ‘The Lottery’ meets Cormac McCarthy’s The Road: a taut, mud-spattered debut about violence, shame and redemption. A troubling, uncanny book about fear and atonement, responsibility and justice, and the violence of writing in public spaces, The Last Good Man dares to ask, who speaks, and who do they speak for?
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Shirley Jackson’s ‘The Lottery’ meets Cormac McCarthy’s The Road: a taut, mud-spattered debut about violence, shame and redemption. A troubling, uncanny book about fear and atonement, responsibility and justice, and the violence of writing in public spaces, The Last Good Man dares to ask, who speaks, and who do they speak for?
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