The Orbits of Stars

Los Angeles, 1913. Two sisters arrive in California with ambition, ability, and no institutional backing.Ellen Reid is analytical, archival, precise. Florence Reid is a performer - gifted, compliant, and entirely unaware of what compliance will cost her.The Biograph studio system sorts them immediately. Florence ascends into managed visibility. Ellen is redirected into administrative invisibility. The mechanism is not malice. It is efficiency. The studio offers Florence comfort, scheduling, care, and eventually laudanum - all framed as assistance, all functioning as control. Ellen watches, records, and builds a counter-archive in her notebook.When the sisters complete an independent picture and bring it before a room of distributors, the room admires the work. It declines to place it.The antagonist in The Orbits of Stars is not a person. It is administration. The vocabulary of institutional management - alignment, placement, revision, guidance, continuity, protection - is the mechanism of harm.A novel about who gets named. And who doesn't.For readers of Edith Wharton, Penelope Fitzgerald, and Sarah Waters.

Pagina's: 119, Paperback, Independently published